Analyzes theories of gender and politics, especially ideologies of gender and their construction; definitions of public and private spheres; gender issues in citizenship, the development of the welfare state, experiences of war and revolution, class formation, and the politics of sexuality. Graduate students are expected to pursue the subject in greater depth through reading and individual research.

Explores the history and current state of social-issue documentary. Examines how cultural and political upheaval and technological change have converged at different moments to bring about new waves of activist documentary film production. Particular focus on films and other non-fiction media of the present and recent past. Students screen and analyze a series of key films and work in groups to produce their own short documentary using digital video and computer-based editing. Students taking graduate version complete additional assignments. Limited to 18.

Focuses on the power dynamics in internet-related technologies (including social networking platforms, surveillance technology, entertainment technologies, and emerging media forms). Theories and readings focus on the cultural, social, economic, and political aspects of internet use and design, with a special attention to gender and race. Topics include: online communication and communities, algorithms and search engines, activism and online resistance, surveillance and privacy, content moderation and platform governance, and the spread of dis- and misinformation. Instruction and practice in written and oral communication provided. Students taking the graduate version complete additional readings and assignments.

Addresses challenges in working towards global justice including poverty, food and water insecurity, healthcare disparities, human rights violations, violence and dislocation, and environmental risk. Focuses on gender and identity, locating the root causes of inequality within cultural, political and economic contexts. Designed to give a framework to understand gender dynamics. Teaches how to integrate gender sensitive strategies into development work. Classes, readings, and final projects illustrate how design and implementation of international development strategies can provide capacity building and income generation opportunities. Meets with EC.718 when offered concurrently. Students taking graduate version complete additional assignments. Limited to 20 total for versions meeting together.

Examine how religious traditions, theologies, and practices help produce and reproduce conceptions of womanhood and gendered bodies. Analyze where/how religious traditions inform and direct shifting conceptions of gender in contemporary world. Study religion and gender from top-down views through scripture, religious structures, theological debates, and myths of cosmological and human origins. Analyze gendered lived experiences of religion including sexuality, menstruation, spirit possession, religious laws, and embodied expressions of faith. Explore questions of religious leadership, queering religion, sites of worship, and afterlife. Introductory study on following religious, philosophical, and cultural traditions: Judaism, Christianity, Islam, Buddhism, Hinduism, Confucianism, Western secularism, and Indigenous spiritual and religious practices. Assessments include creative writing project, ethnographic interview, and book review.

Explores the relationship between children and the culture they inhabit in a particular time and place. Invites students to analyze in detail the image of childhood that emerges from many different media, including novels, children's literature, drama, film, television, dance, and popular song. Encourages students to take an interdisciplinary "childhood studies" approach to youth culture that incorporates insights from literary and media studies, women's and gender studies, and the history and philosophy of childhood. Enrollment limited.

Explores ways contemporary writers re-imagine myth and fairy tales through lens of gender and sexuality. Examines how old stories can be retold to resonate with issues of power, violence, courage, resistance, identity, community, silence, and voice. Students complete writing project where they re-imagine a myth or fairy tale.

Examines cultural responses to HIV/AIDS in the US during the first fifteen years of the epidemic, prior to the advent of highly active antiretroviral therapy. Students consider how sexuality, race, gender, class, and geography shaped the experience of HIV/AIDS and the cultural production surrounding it, as well as the legacy of this cultural production as it pertains to the communities most at risk today. Materials include mainstream press coverage, film, theater, television, popular music, comic books, literature, and visual art.

Explores the memoir genre through a feminist intersectional lens, looking at the ways in which feminist writers ground personal experience within a complex understanding of race, gender, sexuality, class, ethnicity, immigration status/nationality, and dis/ablity. Gives particular attention to the relationships between the personal and the political; form and content; fact, truth, and imagination; self and community; trauma and healing; coming to voice and breaking silence. Readings include books by Audre Lorde, Janet Mock, Daisy Hernandez, Jessica Valenti, and Ariel Gore, and shorter pieces by Meena Alexander and Leah Lakshmi Piepzna-Samarasinha. Drawing on lessons taken from these works, students write a short memoir of their own.

The issue of race and racial identity have preoccupied many writers throughout the history of the US. Students read Jessica Abel, Diana Abu-Jaber, Lynda Barry, Felicia Luna Lemus, James McBride, Sigrid Nunez, Ruth Ozeki, Danzy Senna, Gloria Anzaldua, Judith Ortiz Cofer, Carmit Delman, Stefanie Dunning, Cherrie Moraga, Hiram Perez and others, and consider the story of race in its peculiarly American dimensions. The reading, along with the writing of members of the class, is the focus of class discussions. Oral presentations on subjects of individual interest are also part of the class activities. Students explore race and ethnicity in personal essays, pieces of cultural criticism or analysis, or (with permission of instructor) fiction. All written work is read and responded to in class workshops and subsequently revised. Enrollment limited.

Invites students to analyze cultural artifacts that represent girlhood from various eras and genres, including novels, children's literature, poetry, film, television, and popular music. Conceives girlhood in a broadly inclusive way, putting a range of materials — e.g., cultural artifacts that center Black, Jewish, Asian, and queer girls — in conversation with one another, by artists like Toni Morrison, Judy Blume, Andrea Wang, and Chappell Roan. Helps students build their oral presentation skills. Includes field trips to local museums or cultural events. Limited to 20.

Examines the cultural paradoxes of contemporary globalization. Studies the cultural, artistic, social and political impact of globalization across international borders. Students analyze contending definitions of globalization and principal agents of change, and why some of them engender backlash; identify the agents, costs and benefits of global networks; and explore how world citizens preserve cultural specificity. Case studies on global health, human trafficking and labor migration illuminate the shaping influence of contemporary globalization on gender, race, ethnicity, and class. Develops cultural literacy through analysis of fiction and film. Enrollment limited.

Examines Afrofuturism, magical realism, and other forms of the fantastic in literary texts, film, and other media. Through close reading and attention to historical, cultural, and sociopolitical context, students consider how these works reinterpret the past, diagnose modernity, and posit alternative futures. Particular attention given to the roles race, gender, class, and sexuality play within these radically imaginative worlds. Topics vary from term to term but might include work by Octavia Butler, Gabriel García Márquez, Samuel Delany, Toni Morrison, N.K. Jemisin, José María Arguedas, and Janelle Monáe. Limited to 18.

Explores gender and race through interdisciplinary perspectives from film and visual studies, art history, and performance studies. Provides an overview of methodologies and practices, with an emphasis on contemporary artists working across mediums. Contextualizes artistic output within broader systems of power and cultural institutions. Reflects on the politics of visibility, hypervisibility, and invisibility through an intersectional feminist approach that draws on perspectives from trans*, queer, feminist, dis/ability, and critical race theory. Lectures are supplemented by screenings, discussions, workshops, guest lectures, and optional field trips. Culminates in a final creative project that includes a presentation.

Explore emerging tools and techniques for knowledge production, artistic expression, and building community through the lens of Women’s and Gender Studies. Consider how marginalized populations have created, resisted, and utilized technologies to challenge systems of oppression and construct more just worlds both on and offline. Engaging interdisciplinary approaches to the study of human sexuality, this course introduces students to foundational debates at the intersection of feminism, queer theory, and digital humanities. Through hands-on activities, collaborative annotation, and independent research, we will experiment with innovative approaches to techniques such as virtual reality, gaming, cartography, archives, web design, robotics, social media, mind-mapping, etc. Reconceptualize gender, sexuality, and other categories of difference in light of new technologies reshaping our individual and collective lives.

Examines representations of race, gender, and sexual identity in the media. Considers issues of authorship, spectatorship, and the ways in which various media (film, television, print journalism, advertising) enable, facilitate, and challenge these social constructions in society. Studies the impact of new media and digital media through analysis of gendered and racialized language and embodiment online in blogs and vlogs, avatars, and in the construction of cyberidentities. Provides introduction to feminist approaches to media studies by drawing from work in feminist film theory, cultural studies, gender and politics, and cyberfeminism.

Drawing on multiple disciplines - such as literature, history, economics, psychology, philosophy, political science, anthropology, media studies and the arts - to examine cultural assumptions about sex, gender, and sexuality. Integrates analysis of current events through student presentations, aiming to increase awareness of contemporary and historical experiences of women, and of the ways sex and gender interact with race, class, nationality, and other social identities. Students are introduced to recent scholarship on gender and its implications for traditional disciplines.